Exclusive: Mel Brooks programs his 20 favorite films at American Cinematheque. Read the list

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Set us as preferred Mel Brooks has been watching movies for about as long as anyone alive.The comedy icon, who turned 100 in June, was born in the silent era and grew up in Brooklyn devouring double bills at his neighborhood theater in the 1930s.

That movie-mad kid would go on to become one of the giants of filmmaking, directing classics like “The Producers,” “Blazing Saddles” and “Young Frankenstein” and giving us a song-and-dance Frankenstein’s monster, cowboys farting around a campfire and the mystical power of the Schwartz.So when the American Cinematheque recently invited Brooks to program a series of his favorite films — something he had never done before — there was no telling where his tastes might lead.Beginning Sept.3, the Cinematheque will bring Brooks’ 20 selections to the big screen in “Programmed by Mel Brooks: 100 Years at the Movies,” running through Nov.

12 at the Aero, Egyptian and Los Feliz 3 theaters.The lineup spans nearly nine decades of Brooks’ own lifetime: The oldest film he chose was released when he was 4; the newest came out when he was 93.

Movies From ‘Springtime for Hitler’ to Yogurt’s merchandising pitch in ‘Spaceballs,’ here are the many sides of a filmmaker who reinvented on-screen comedy.What made the cut? Some choices make perfect sense for Brooks: comedy classics like Charlie Chaplin’s “City Lights” (1931) and the Marx Brothers’ “A Night at the Opera” (1935).Others are more surprising, from Kevin Costner communing with the Sioux in “Dances With Wolves” (1990) to Eddie Murphy resurrecting a blaxploitation legend in “Dolemite Is My Name” (2019).

The list is overwhelmingly American with just one foreign-language film, Federico Fellini’s bittersweet 1953 comedy “I Vitelloni.”For Brooks, the exercise offered a chance to reconnect wi...

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Publisher: Los Angeles Times

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