Review: 'The Little Sister' finds a young Muslim woman taking risks to show her true self

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In “The Little Sister,” a teenager tries to hide in plain sight.Although everyone comments on her beauty, 17-year-old Fatima prefers to tie her hair back in a ponytail, her bright eyes buried underneath a black ball cap, her body concealed in unflattering tracksuits.
As played by first-timer Nadia Melliti, who won the actress award at last year’s Cannes Film Festival, Fatima is encased in a kind of armor, an outward manifestation of her hesitancy to share her sexual orientation with a world she knows will judge her.This graceful film chronicles the process by which Fatima gradually sheds that reserve.Adapted from Fatima Daas’ 2020 novel “The Last One,” a work of autofiction detailing the French author’s own coming out, “The Little Sister” takes place over five seasons, observing Fatima as she completes grade school and begins attending university.
An adept athlete with a tomboyish demeanor, Fatima disappears inside a friend group consisting of immature teen boys who treat her like one of the guys, including her in their raunchy sex talk.Fatima has a boyfriend, Adel (Ahmed Kheloufi), but the relationship feels vestigial, with him constantly complaining that she should dress more feminine.
Just as upsetting to Adel: When he tells Fatima that he loves her, she doesn’t respond in kind.This is the third feature from French actor and director Hafsia Herzi, who herself made an acting splash in 2007’s “The Secret of the Grain.” For “The Little Sister,” Herzi takes a cue from Daas’ book, mapping Fatima’s inner journey as a modest series of tentative steps forward and anxious steps back.Fatima has reason to be skittish.
The youngest of three daughters in a loving French-Algerian Muslim family, she conceals any hint of her sexuality from her mother, father and sisters, anticipating their disapproval.Many queer coming-of-age movies position the character�...